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《歌劇反面人物塑造之我見——《野火春風(fēng)斗古城》中“多田”角色飾演體會總結(jié)》由會員上傳分享，免費在線閱讀，更多相關(guān)內(nèi)容在學(xué)術(shù)論文-天天文庫。
1、單位代碼10475學(xué)號104754140668分類號碩士學(xué)位論文（專業(yè)學(xué)位）歌劇反面人物塑造之我見——《野火春風(fēng)斗古城》中“多田”角色飾演體會總結(jié)專業(yè)學(xué)位領(lǐng)域：音樂聲樂專業(yè)學(xué)位類別：藝術(shù)碩士申請人：李方程指導(dǎo)教師：李建民副教授二〇一七年五月OpiniononCreationofNegativeCharacterinOperaThePersonalExperienceonPerformingCharacterDuoTianinYeHuoChunFengDouGuChengADissertationSubmittedtotheGra
2、duateSchoolofHenanUniversityinPartialFulfillmentoftheRequirementsfortheDegreeofMasterofArtsByLiFangchengSupervisor:AssociateProf.LiJianminMay,2017II摘要本文從飾演“多田”一角入手，將塑造人物的完整創(chuàng)作過程進行細致入微的歸納和總結(jié)，如“案頭工作”——舞臺實踐的前期準(zhǔn)備：包括事件背景；人物身份與性格特征；與其他主要角色的關(guān)系；矛盾沖突的爆發(fā)點。角色的音樂形象，詠嘆調(diào)的風(fēng)格與技術(shù)要求；角色
3、塑造時的臺詞處理，人物在舞臺上的肢體語言等。在人物塑造及藝術(shù)創(chuàng)作的每一個環(huán)節(jié)追求細致入微，精益求精，達到盡可能“真實”的“藝術(shù)形象”。關(guān)鍵詞：角色背景，人物關(guān)系，矛盾沖突，音樂形象IIIABSTRACTStartingwithperformingDuotian,thispaperoutlinesthecompleteprocessofcreatingcharacterindetailasfollowingpoints.Firstly,previouspreparationofstagepracticewhichincludeco
4、ntext,identityandtraitofcharacter,relationsandfocusofconflict.Inaddition,thispaperanalyzesmusicalimageofcharacter.Forexample,Ariosostyleandtechnicalrequirement,readingwordsofcreatingcharacterandactor’sbodylanguage.Afterseveralperformancesandauthor’sperformingexperien
5、ce,thispapersuggeststhatartisticcreationandcharacter-buildingshouldbeperfection,withthetrueartisticimage.Keywords：CharacterContext,CharacterRelation,Conflict,MusicalImageV目錄摘要............................................................................................
6、............................................IIABSTRACT...............................................................................................................................V目錄...................................................................................
7、..................................................VII前言.........................................................................................................................................1一、“案頭工作”——舞臺實踐的前期準(zhǔn)備.......................................................
8、......................3（一）劇本研究和劇情概括..............................................................................................3（
