The Gothic Elements in Wuthering Heights

The Gothic Elements in Wuthering Heights

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頁(yè)數(shù):15頁(yè)

時(shí)間:2017-07-11

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1、愛倫坡及其作品中的哥特式元素PoeandGothicElementsinHisWorksTheGothicElementsinWutheringHeightsAbstract:TheGothictraditionhasverysignificantinfluenceontheEnglishandAmericanliterature,andmanywritershaveinheritedthiswritingtraditionintheirnovels.Inthispaper,thewriteranalyzestheinfluenceoftheGothictrad

2、itiononthecreationofEmilyBronte’sfamousnovelWutheringHeights.ThenovelcontainsGothicelementsinmanyaspects,includingthetheme,characters,environmentdescriptions,detailsandplots,etc.Meanwhile,EmilyBronteaddsviolentemotion,complexmentalityandfreshenergyintotheoldform.What’smore,sheendowst

3、hecharacterswithcomplicatedpsychologicaldescriptionwhichmakestheoldGothicformandfervidcontentcombinesperfectly.Atthesametime,sheaddsrealityintothenovelskillfully;thus,shemakesWutheringHeightsimitatetheGothictechniquesuccessfullyandaddssomethingnewtotheblackromanticismofGothictraditio

4、naswell.AsaresultthisnovelmaintainstheuniqueandeverlastingartisticcharmintheworldliteratureKeywords:EmilyBronte;WutheringHeights;GothicTradition;Improvement摘要:哥特式傳統(tǒng)在英美文學(xué)的創(chuàng)作中具有非常顯著的影響。許多作家都把這一傳統(tǒng)用到他們的作品中。本文旨在分析哥特式傳統(tǒng)在艾米麗·勃朗特的著名小說《呼嘯山莊》中的運(yùn)用與影響。這篇著作在主題、人物、環(huán)境的描述以及細(xì)節(jié)和情節(jié)的刻畫方面都運(yùn)用了哥特式的協(xié)作方法。艾米麗

5、·勃朗特將瘋狂的情感、復(fù)雜的心理和新鮮的能量注入古老的形式,并賦予小說中的人物復(fù)雜的心理刻畫使其與傳統(tǒng)的哥特式完美結(jié)合。同時(shí),她把現(xiàn)實(shí)完美的融入到小說中,因此,她在巧妙地運(yùn)用哥特式傳統(tǒng)的同時(shí)又增添了新的元素,使得這部獨(dú)特的小說在世界文學(xué)藝術(shù)中保持著持久的魅力。關(guān)鍵詞:艾米麗·勃朗特;《呼嘯山莊》;哥特式傳統(tǒng);借鑒與發(fā)展第15頁(yè)Ⅰ.AnIntroductiontotheGothicTraditionandItsInfluenceonLiteratureA.TheoriginofGothictraditionanditsidevelopmentTheterm“Got

6、hic”admittedly,originatedfromaconfluenceofhistoryandarchitecture.TheGothswereanorthernGermanicEuropeanpeoplewhosewaysandbeliefsdifferedlargelyfromthoseofGreco-Romanclassicalcivilizationfarthersouth.Sotothesouthernoutlook,theGothswerewhollyuncivilizedandbarbarous.TheywereabsorbedbyChr

7、istianity,broughtauniquearchitecturalandartisticsensibility.Gradually,“Gothicstyle”becomestherepresentivestyleof“TheMiddleAge”inEurope(Hayes73).TheGothicarchitectureisalwaysverystrangeandeccentric,highandbroad,andwithaheavyatmosphereofreligion.Itisnotonlyfrequentlyassociatedwitharchi

8、tecture,andi

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