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1、中文摘要遲子建是一個(gè)具有獨(dú)特意義的作家。２０世紀(jì)９０年代以來(lái)，中國(guó)文壇的創(chuàng)作精神不斷分化著，作家們逐漸的從一種“共同的話語(yǔ)”世界中分離出來(lái)，向大眾化、世俗化、商業(yè)化靠攏時(shí)，遲子健仍然堅(jiān)守著作家的藝術(shù)良知，不媚俗、不惑眾，在創(chuàng)作中始終保持著高品位的審美追求，一如既往的追求著自己靈魂的家園。本文將透過(guò)作家各個(gè)時(shí)期的作品來(lái)探討遲子建小說(shuō)的敘事風(fēng)格。她成功的找到了當(dāng)下某些人們?cè)?jīng)擁有卻又漸漸遠(yuǎn)去的純真狀態(tài)，并十分冷靜的選擇了符合那種階層自身邏輯的話語(yǔ)方式，從而使她的小說(shuō)找到了廣泛的閱讀對(duì)象。在新時(shí)期以來(lái)，著意與描寫(xiě)自己所鐘情的
2、一方水土的成功作家并不在少數(shù)，像賈平凹筆下的商州系列，莫言的“高密東北鄉(xiāng)”，李銳的“太行山”，張煒膠東半島的“洼貍鎮(zhèn)”，王安憶朔造的鮮活靈動(dòng)的平民化大上海等，都給人又留下了難以磨滅的印象。遲子建筆下的“北極村世界”更是讓我留連忘返，身臨其境，冥冥之中有一種力量促使我鐘情于遲子建軍筆下的世界。關(guān)鍵詞：遲子建敘述語(yǔ)言幸福8Summary:Itisawriterthathasthespecialmeaningthatlatesonsetup.Since90'the20centuriesesofsin,thecreations
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