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1、TRUTHANDMETHODTRUTHANDMETHODHans-GeorgGadamerSecond,RevisedEditionTranslationrevisedbyJoelWeinsheimerandDonaldG.MarshallcontinuumLONDON?NEWYORKContinuumTheTowerBuilding80MaidenLane11YorkRoadSuite704LondonSE17NXNewYorkNY10038www.continuumbooks.comCopyright?1
2、975and1989bySheed&WardLtdandtheContinuumPublishingGroup.Firstpublished1975;secondedition1989;thisedition2004.Reprinted2006.Allrightsreserved.ISBN082647697XTypesetbyInteractiveSciencesLtd,GloucesterPrintedandboundinGreatBritainbyAntonyRowe,Chippenham,Wiltshi
3、reCatchonlywhatyou'vethrownyourself,allismereskillandlittlegain;butwhenyou'resuddenlythecatcherofaballthrownbyaneternalpartnerwithaccurateandmeasuredswingtowardsyou,toyourcenter,inanarchfromthegreatbridgebuildingofGod:whycatchingthenbecomesapower—notyours,a
4、world's.—RainerMariaRilkeContentsTranslator'sPrefacexiIntroductionxxForewordtothesecondeditionxxvPART1.Thequestionoftruthasitemergesintheexperienceofart11Transcendingtheaestheticdimension31Thesignificanceofthehumanisttraditionforthehumansciences3(A)Theprobl
5、emofmethod3(B)Theguidingconceptsofhumanism8(i)Bildung(culture)8(ii)Sensuscommunis17(iii)Judgment27(iv)Taste312ThesubjectivizationofaestheticsthroughtheKantiancritique37(A)Kant'sdoctrineoftasteandgenius37(i)Thetranscendentaldistinctnessoftaste37(ii)Thedoctri
6、neoffreeanddependentbeauty39(iii)Thedoctrineoftheidealofbeauty41(iv)Theinterestarousedbynaturalandartisticbeauty43(v)Therelationbetweentasteandgenius47(B)Theaestheticsofgeniusandtheconceptofexperience(Erlebnis)49(i)Thedominanceoftheconceptofgenius49viiCONTE
7、NTS(ii)OnthehistoryofthewordErlebnis53(iii)TheconceptofErlebnis56(iv)ThelimitsofErlebniskunstandtherehabilitationofallegory613Retrievingthequestionofartistictruth70(A)Thedubiousnessoftheconceptofaestheticcultivation(Bildung)70(B)Critiqueoftheabstractioninhe
8、rentinaestheticconsciousness772Theontologyoftheworkofartanditshermeneuticsignificance1021Playasthecluetoontologicalexplanation102(A)Theconceptofplay102(B)Transformationintostructureandtotalmediation110
