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1、保密等級(jí)★保密年限單位代碼:10418碩士學(xué)位論文論文題目贛南客家女紅藝術(shù)與女性生活作者姓名楊玉琪指導(dǎo)教師鐘福民學(xué)科(專業(yè))美術(shù)學(xué)所在學(xué)院美術(shù)學(xué)院提交日期2013年5月28日獨(dú)創(chuàng)性聲明本人聲明所呈交的學(xué)位論文是本人在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作及取得的研究成果。除了文中特別加以標(biāo)注和致謝的地方外,論文中不包含其他人已經(jīng)發(fā)表或撰寫過的研究成果,也不包含為獲得贛南師范學(xué)院或其他教育機(jī)構(gòu)的學(xué)位或證書而使用過的材料。與我一同工作的同志對(duì)本研究所做的任何貢獻(xiàn)均已在論文中作了明確的說明并表示謝意。學(xué)位論文作者簽名:簽字日期:年月日學(xué)位論文版權(quán)使用授權(quán)書本學(xué)位論文作者完全了解贛南師范學(xué)院有關(guān)
2、保留、使用學(xué)位論文的規(guī)定,有權(quán)保留并向國家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件和磁盤,允許論文被查閱和借閱。本人授權(quán)贛南師范學(xué)院可以將學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫進(jìn)行檢索,可以采用影印、縮印或掃描等復(fù)制手段保存、匯編學(xué)位論文。(保密的學(xué)位論文在解密后適用本授權(quán)書)學(xué)位論文作者簽名:導(dǎo)師簽名:簽字日期:年月日簽字日期:年月日目錄摘要···················································································ⅠAbstract······························
3、·············································ⅡI緒論········································································1第一章中國傳統(tǒng)女紅藝術(shù)概況第一節(jié)中國女紅藝術(shù)產(chǎn)生的背景·············································2第二節(jié)中國傳統(tǒng)女紅的類型·················································2第三節(jié)中國傳統(tǒng)女紅藝術(shù)的功能···················
4、·························11第二章贛南客家女紅藝術(shù)解析第一節(jié)贛南客家女紅藝術(shù)的歷史流變·······································14第二節(jié)贛南客家女紅藝術(shù)的特點(diǎn)············································15第三節(jié)與其他地區(qū)女紅藝術(shù)的比較·········································17第三章傳統(tǒng)時(shí)代的贛南客家女紅與客家女性生活第一節(jié)戀愛——為人女············································
5、·········23第二節(jié)婚姻家庭——為人妻················································24第三節(jié)育兒——為人母·····················································27第四節(jié)支援革命貢獻(xiàn)——為家屬············································28第四章女紅藝術(shù)的當(dāng)代變遷第一節(jié)現(xiàn)代城市生活中新型的女紅類型·····································30第二節(jié)傳統(tǒng)女紅藝術(shù)的當(dāng)代傳承··········
6、··································31結(jié)語·······································································34參考文獻(xiàn)··································································35贛南師范學(xué)院碩士論文摘要被稱為“客家搖籃”的贛南,具有極其豐富的客家文化和藝術(shù)資源。近年來,隨著客家研究的活躍,客家民間文化和民間藝術(shù)也引起越來越多學(xué)者的關(guān)注。然而,作為客家民間文化和民間藝術(shù)重要內(nèi)容的客家女紅的專
7、題研究卻仍然闕如。在非物質(zhì)文化遺產(chǎn)保護(hù)日漸深入的語境下,對(duì)客家女紅藝術(shù)加以研究,并尋求傳承與保護(hù)的可行性思路,便是十分必要和迫切的?!芭t”作為一種文化,反映了人際的相互關(guān)系、人的造物思想和地域文化特色。在中國的土地上,傳統(tǒng)時(shí)代的中國女性以她們天才的創(chuàng)造力和想象力,以及對(duì)生活的熱愛與對(duì)他人的美好情感,創(chuàng)造了極其豐富的美輪美奐的女紅藝術(shù)??图沂菨h族一個(gè)特點(diǎn)鮮明的支系。在客家人豐富多彩的民間藝術(shù)中,客家女紅藝術(shù)鮮活地反映了客家女性的精神世界,也體現(xiàn)了與客家女性生活的密切聯(lián)系,為傳統(tǒng)時(shí)代的客家女性注入了生命的意義。本文從