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1、分類號(hào)學(xué)校代碼10542密級(jí)學(xué)號(hào)201102040465漢末三國兩晉戰(zhàn)爭詩研究WarPoetryattheendoftheHanDynasty,intimeofThreeKingdomsaswellasinsouthernandnorthernJin.研究生姓名羅盼玢指導(dǎo)教師姓名、職稱陳松青教授學(xué)科專業(yè)中國古代文學(xué)研究方向先秦漢魏六朝文學(xué)湖南師范大學(xué)學(xué)位評(píng)定委員會(huì)辦公室二零一四年五月摘要學(xué)術(shù)界對(duì)戰(zhàn)爭詩,特別是漢末三國兩晉時(shí)期戰(zhàn)爭詩的研究多著眼于個(gè)別文人,如曹操、王粲、阮籍的個(gè)體分析。缺乏全面而深刻的研究,更加缺乏對(duì)漢末三國與兩晉時(shí)代的縱向
2、比較。宏觀上,本文力圖從整體上對(duì)戰(zhàn)爭詩的思想價(jià)值與藝術(shù)風(fēng)貌進(jìn)行新穎獨(dú)特的分析論述,并從縱橫的對(duì)比中揭示其繼承與發(fā)展之處,理清戰(zhàn)爭詩的發(fā)展脈絡(luò)。微觀上,本文著重分析戰(zhàn)爭與詩歌之間的相互關(guān)系,如戰(zhàn)爭對(duì)文人情感的影響、戰(zhàn)爭對(duì)文人價(jià)值觀的影響、戰(zhàn)爭對(duì)詩歌藝術(shù)發(fā)展史的影響、戰(zhàn)爭詩創(chuàng)作對(duì)實(shí)際戰(zhàn)爭的影響。文章主題內(nèi)容分為三大章。第一章為戰(zhàn)爭詩的淵源。主要從戰(zhàn)爭詩的思想內(nèi)容與藝術(shù)手法兩方面進(jìn)行分析,探討了漢末三國兩晉戰(zhàn)爭詩對(duì)前代雅頌精神、愛國精神、現(xiàn)實(shí)主義精神、樂生惡死觀念以及多種藝術(shù)手法的繼承。通過對(duì)漢末三國兩晉前戰(zhàn)爭詩的一個(gè)簡單分析,理清源頭,梳理發(fā)
3、展脈絡(luò)。第二章為漢末三國兩晉戰(zhàn)爭詩的思想價(jià)值。大致分為:英雄情懷、功名觀念、憂患意識(shí)、厭戰(zhàn)情緒。通過對(duì)戰(zhàn)爭詩內(nèi)容的分析,探討詩歌的精神價(jià)值。第三章為漢末三國兩晉戰(zhàn)爭詩的藝術(shù)特色。主要分為:古樸與繁美共存、寫實(shí)與抒情平分秋色、作者個(gè)性化描寫、壯闊場面的描寫、歷史想象的筆法。從多個(gè)角度研究戰(zhàn)爭詩的文學(xué)藝術(shù)價(jià)值,并從中分析概括詩歌藝術(shù)發(fā)展的軌跡??偠灾?,本文以漢末三國兩晉戰(zhàn)爭詩為研究對(duì)象,在進(jìn)行整體研究的同時(shí),也分時(shí)代進(jìn)行比較研究,在研究戰(zhàn)爭詩思想價(jià)值的同時(shí),概括漢末三國兩晉詩歌藝術(shù)的發(fā)展軌跡,力求將戰(zhàn)爭詩分析透徹。關(guān)鍵詞:漢末三國;兩晉;戰(zhàn)
4、爭詩;戰(zhàn)爭觀ABSTRACTAsforwarpoetries,especiallyattheendoftheHanDynasty,intheTimeofThreeKingdomsaswellasinsouthernandnorthernJin,academicworldmostlykeepsaneyeonresearchestoindividualscholarslikeCaoCao,WangCan,RuanJiandSOon.Allthesearelackofcomprehensiveanddeepresearches,evenvert
5、icalcomparisonsofendoftheHanDynasty,TimeofThreeKingdomsandsouthem,northemJin.Macroscopicallyspeaking,thisthesistriestoanalyzeanddiscussgenerallyonideologicalvalueandartisticstyleofwarpoetries.Fromuniqueanalysesandstatements,horizontalverticalcomparisons,itstransferanddeve
6、lopmentprocesswillbeannounced.Atmicroscopicalpointitconcentratesoninterrelationbetweenwarandpoetry,forexampletheinfluenceofwaronaffectionandvalueofliterators,ondevelopmenthistoryofpoetryartandofcreationonrealwars,etc.Thethemeofthisthesisismainlydividedintothreeparts.Quota
7、tionandintroductionsummarizefirstlywhatwarandwarpoetryareandactualityandmeaningofrelevantresearches.Thefirstchapteristorecounttheoriginofwarpoetry,whichisonbasisofthoughtandartisticexpressiontoanalyze,discussingabouttransferonwarpoetriesatthatperiodtoelegant—odespirit,pat
8、riotism,realism,themeofhappyandevildeath,andseveralotherexpressions.Throughasimpleanalysisandsor