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1、ON下ROLLOPIANREALISMCHENMINAbstractsThispaperintendstodistinguishTrollopianrealismintheVictorianagethroughcontextualanalysisofcharacterization.AnthonyTrollope,Dickens'scontemporaryandrivalinthegildedtimeofEnglishfiction,isdefinedasasocialproblemnovelist(asubcategoryoftherealisticnovelist)inthefirs
2、tsectionofthethesis,afterasummaryoftheupsanddownsofTrollopiancriticism.Toarticulatehowheachievesrealismthroughcharacterization,fourgroupsoftypicalcharactershecreatedinhismajornovelsareselectedtorepresentdifferentmoralsinthereal-timeEnglishsocietyinthesecondpart,i.e.,gentlemenclergymeninhisecclesi
3、asticseries,swindlersandspeculatorsinTheWayWeLiveNow,politicalpersonagesinThePrimeMinister,andunconventionalwomencharacters.ThefinalchapteratemptstoclarifyvaluechangesduringtheindustrializationerareflectedinTrollope'sfictionandseekstosumuptechniquesandfeaturesofTrollopianrealismintheconclusion.[K
4、eywords]Trollopianrealism;Socialproblemnovel;Characterization;Morality論文摘要石19世紀(jì)英國維多利亞時代工業(yè)化進(jìn)程迅猛，隨著社會在經(jīng)濟(jì)、文化等各方面發(fā)生的巨大變革，人們逐漸拋棄傳統(tǒng)的封建血統(tǒng)道德觀念，擁抱資本主義的金錢價值觀，社會上出現(xiàn)了兩種觀念并存和沖突的現(xiàn)象:火~_一~英國小說在這樣的歷史背景下迎來其黃金時代，誕生了以狄更斯為代表的一大批現(xiàn)實(shí)主義小說家，其中豐產(chǎn)作家安東尼·托羅洛普以其廣受讀者歡迎的社會問題系列小說占有舉足輕重的歷史地位。論文以托羅洛普小說的人物塑造為切入點(diǎn)，選取四組典型人物(即其教會小說中的紳士牧
5、師、《如今世道》中的投機(jī)商梅爾莫特、政壇系列之《首相》中的兩對夫婦、其小說中不符世道的“壞女人”)作為個案分析對象，系統(tǒng)闡述了托羅洛普通過人物群像的刻畫在現(xiàn)實(shí)主義領(lǐng)域所取得的成功，總結(jié)了其具有個性的托氏現(xiàn)實(shí)主義創(chuàng)作手法，并籍此探討人性弱點(diǎn)及價值觀擅變在小說中的真實(shí)再n〔關(guān)鍵詞J托羅洛普玩實(shí)主義，社會問題.J、說，人物塑造，道德觀黃內(nèi)乒又一產(chǎn)回2002陳敏浙江大學(xué)外國語學(xué)院英語系研2000級ONTROLLOPIANREALISMCHENMINAcknowledgementsOverthepastfleetingtwenty-sixmonths,I'vegotquitealistofpeo
6、plewhocontributedinsomewaytomydegreethesisandtowhomIwouldlikewexpressmygratitudeIsincerelythankQiping,叫Supervisorandgreatfriend,forhiscontinuousguidance,inspirationandenthusiasm,whichisalwaystherewheninneed.Healsomanagestostriketheperfectbalancebetweenprovidingdirectionandencouragingindependence.
7、SpecialthankstoProf.ZhuJiongqiangandProf.GaoFenfortheirenlightenmentinrelatedliteraryfields,i.e.,romanticismandfeminismrespectively,andforreviewingthisthesisinrealismIamreallygratefultothosewhohelpedtheoutofthefrustrat
