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1、中文摘要本文采用實(shí)驗(yàn)方法分析了績溪華陽話單字調(diào)和雙字調(diào)的音高、時(shí)長和調(diào)域，嘗試運(yùn)用“折度打磨”說和優(yōu)選論對(duì)華陽話雙字組連讀變調(diào)模式進(jìn)行分析。華陽話單字調(diào)音高存在內(nèi)部差異：陰平、陽平、陰去和入聲存在相同調(diào)型之間的調(diào)值差別；上聲有完整的曲折調(diào)【213】或[212]、曲折調(diào)調(diào)頭沒有降下來的[12】和曲折調(diào)調(diào)尾沒有升上去的[21l】三種變體。提出一個(gè)假設(shè)：華陽話受普通話去聲或其他因素的影響，陽去單字調(diào)調(diào)值由原來的低平【22]變成與普通話去聲調(diào)值接近的中降調(diào)【3l】；而這一變化又在單字調(diào)系統(tǒng)內(nèi)引起陰平的變化：陰平為了保持與陽去的區(qū)別而由原來的【3l】抬高變成[5l】。雙字調(diào)組合變調(diào)
2、規(guī)律：(a)一般是前字變調(diào)，后字不變；(b)變調(diào)模式按照平聲、上聲、去聲、入聲高度類型化，變調(diào)前華陽話有36種調(diào)式，變調(diào)后只有4個(gè)類型24種調(diào)式；(c)入聲在連調(diào)前字位置上變?yōu)榫o喉高調(diào)【4】或【5】。促聲的時(shí)長比舒聲短；舒聲中高降調(diào)陰平最短，曲折調(diào)上聲最長；位于調(diào)域中下部的曲拱比位于調(diào)域上部的曲拱長；陽調(diào)類的時(shí)長比陰調(diào)類的長。雙字調(diào)相對(duì)時(shí)長是前短后長模式。單字調(diào)調(diào)系調(diào)域性別差異很大，女性的調(diào)系調(diào)域上限、下限以及跨度分別比男性的高。單字調(diào)調(diào)類調(diào)域的男女差別很明顯，女性發(fā)音人每個(gè)調(diào)類的調(diào)域上限、下限及跨度都比男性的大。雙字組連讀變調(diào)中每個(gè)發(fā)音人的調(diào)域上限都升高，調(diào)域下限都降低
3、，調(diào)域跨度都變大。華陽話雙字組連讀變調(diào)采用“用平拱與所有類型的曲拱匹配”、“用高平拱或高降拱與其它曲拱匹配”兩種方式來消除連調(diào)中的折度。采用優(yōu)選論對(duì)華陽話雙字組連讀變調(diào)進(jìn)行分析，得出具有解釋力的制約條件層級(jí)體系：MAX—10，DEP—IO，R．IDENT>>*R，*L-T3，奉L>>幸F>>H?，IDENT—Reg>>h一1IC關(guān)鍵詞：績溪華陽話；聲調(diào)；實(shí)驗(yàn)研究；“折度打磨”說：優(yōu)選論英文摘要ABSTRACTThisthesisanalysespitch，durationandregisterofHuayangdialect’Smono—syllabletoneandbi
4、—syllabletonebyexperimentalmethod，andtrysanalysingthepatternofbi．syllablesandhiofHuayangdialectbyusingthetheoryofbend—degreeabradingandOptimalitytheoryrespectively．Thereareinnerdifferencesofpitchsofmono—syllabletoneinHuayangdialect：Yinping，Yangping，YinquandRushenghavemeloyvalue’Sdifferenc
5、esoftheidenticaltonaltype；Shanghenghasthreekindsofanamorphosisescontainingintegratedcontourtone[213】or【212]，【12]whichinitialportionofcontourtonedoesnotdescend，f21l1whichendingportionofcontourtonedoesnotascend．AhypothesisiSprovidedthateffectedbyQushengofPutonghuaorotherfactersmono—syllable
6、toneticvalueofQushenginHuayangdialectbecomesmiddle．dscendingtonef3l1whichhassimilartoneticvaluewithPutonghuaQusheng’S。Moreover,thischangeleadstothechangofYinpinginthesystemofmono-syllabletone．Yinping’Svalueraisesandbecomes[51】inordertokeepdifferencewithYangqu．Thelawsofbi-syll鑫blesandhicon
7、sistofthree．fa_》，itiSgeneralthattheformertakeschangesbutthelatterdoesnot；(b)thepattemsofbi—syllablesandhiarehi曲generalizedintermsofthefourtypesofPingsheng，Shangsheng，Qusheng，Rusheng．Thereare36kindsoftoneticmodelbeforetakingsandhi，butaftertakingsandhithereare24kindso
