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1、畢業(yè)設計(說明書)課題名稱:指導老師:學生班級:學號:姓名:新鄉(xiāng)職業(yè)技術學院藝術與教育系二O一三年十二月目錄摘要································································1關鍵詞······························································2前言································································2一、裝飾畫的概述···········
2、·············································21.1黑白裝飾畫的色彩分··············································21.2黑白裝飾畫的構成魅力············································31.3黑白裝飾畫的藝術特點············································4二、黑白裝飾繪畫中三要素的表現(xiàn)·····································
3、·····42.1點······························································42.2線······························································52.3面·······························································5三、畢業(yè)設計的創(chuàng)作過程··················································53.1
4、前期市場調(diào)研·····················································53.2設計思路·························································63.3制作過程························································6結論····································································7致謝···········
5、························································8參考文獻································································9摘要:裝飾畫是一種起源于戰(zhàn)國時期的帛畫藝術,并不強調(diào)很高的藝術性,但非常講究與環(huán)境的協(xié)調(diào)和美化效果的特殊藝術類型作品。一般分為具象題材、意象題材、抽象題材和綜合題材等等。裝飾畫裝飾畫顧名思義就是起修飾美化作用的畫作。常被裝點于建筑物表面,賦予周圍環(huán)境以相應的藝術氣息,使得環(huán)境變得美觀得體。它被
6、廣泛運用于家庭、酒店和辦公場所的裝修搭配。由此按照心中的所想、所感、所悟繪制了一幅具有色彩強烈對比鮮明的黑白裝飾畫。突出表現(xiàn)其藝術特點。我給它命名為《偉人映像》。黑白裝飾畫,是以黑、白對比為造型手段,畫面的主題以黑、白形體的巧妙組合來得以充分表現(xiàn),創(chuàng)作原則是以少勝多,用最簡練的語匯,表達豐富的內(nèi)容,對豐富的色彩具有高度概括的藝術特色。通過藝術的加工,把紛繁的景象概括化,把復雜的關系單純化,使表達物具有一種視覺上的愉悅和美感。強調(diào)色彩的對比力度,形象的概括集中,具有鋒利,敏銳,迅速的視覺效果,使觀者產(chǎn)生強烈的感官刺激,留下深刻的印象。關鍵詞:
7、黑白裝飾畫;藝術感染力;點線面;自然肌理;意趣8前言“天為陽,地為陰;陽為白.陰為黑。日月交替,陰陽轉換?!惫爬系闹V語,將世間萬物歸納到對立統(tǒng)一的黑白之中。黑白本身就是一門藝術,它源遠流長,幾乎同人類文明同步發(fā)展,經(jīng)過五千年的文化沉淀,留下了豐富的黑白藝術文化黑白是一種思想意識,是一種種創(chuàng)作的意識,同時黑白又是色彩中的極色,也是視覺感受的極限,用一黑一白的來表現(xiàn)所要描繪的事物.對豐富的色彩具有高度概括的藝術特色。我們可以從構圖、色彩、形象、材料幾個方面研究裝飾畫,其中黑白的色彩風格在裝飾畫中占據(jù)重要地位。它是不受任何空間,繪制對象本身的限制
8、,充分發(fā)揮主觀性從實際作用出發(fā),客體服務主體通過不斷的變換,對比,夸張等表現(xiàn)形式來帶到裝飾的效果。一、裝飾畫的概述1.1黑白裝飾畫的色彩分析中國水墨畫即是充分運用這種浪漫手法創(chuàng)作