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1、畢業(yè)設(shè)計(jì)（說(shuō)明書(shū)）課題名稱(chēng)：指導(dǎo)老師：學(xué)生班級(jí)：學(xué)號(hào)：姓名：新鄉(xiāng)職業(yè)技術(shù)學(xué)院藝術(shù)與教育系二O一三年十二月目錄摘要································································1關(guān)鍵詞······························································2前言································································2一、裝飾畫(huà)的概述···········
2、·············································21.1黑白裝飾畫(huà)的色彩分··············································21.2黑白裝飾畫(huà)的構(gòu)成魅力············································31.3黑白裝飾畫(huà)的藝術(shù)特點(diǎn)············································4二、黑白裝飾繪畫(huà)中三要素的表現(xiàn)·····································
3、·····42.1點(diǎn)······························································42.2線······························································52.3面·······························································5三、畢業(yè)設(shè)計(jì)的創(chuàng)作過(guò)程··················································53.1
4、前期市場(chǎng)調(diào)研·····················································53.2設(shè)計(jì)思路·························································63.3制作過(guò)程························································6結(jié)論····································································7致謝···········
5、························································8參考文獻(xiàn)································································9摘要：裝飾畫(huà)是一種起源于戰(zhàn)國(guó)時(shí)期的帛畫(huà)藝術(shù)，并不強(qiáng)調(diào)很高的藝術(shù)性，但非常講究與環(huán)境的協(xié)調(diào)和美化效果的特殊藝術(shù)類(lèi)型作品。一般分為具象題材、意象題材、抽象題材和綜合題材等等。裝飾畫(huà)裝飾畫(huà)顧名思義就是起修飾美化作用的畫(huà)作。常被裝點(diǎn)于建筑物表面，賦予周?chē)h(huán)境以相應(yīng)的藝術(shù)氣息，使得環(huán)境變得美觀得體。它被
6、廣泛運(yùn)用于家庭、酒店和辦公場(chǎng)所的裝修搭配。由此按照心中的所想、所感、所悟繪制了一幅具有色彩強(qiáng)烈對(duì)比鮮明的黑白裝飾畫(huà)。突出表現(xiàn)其藝術(shù)特點(diǎn)。我給它命名為《偉人映像》。黑白裝飾畫(huà)，是以黑、白對(duì)比為造型手段，畫(huà)面的主題以黑、白形體的巧妙組合來(lái)得以充分表現(xiàn)，創(chuàng)作原則是以少勝多，用最簡(jiǎn)練的語(yǔ)匯，表達(dá)豐富的內(nèi)容，對(duì)豐富的色彩具有高度概括的藝術(shù)特色。通過(guò)藝術(shù)的加工，把紛繁的景象概括化，把復(fù)雜的關(guān)系單純化，使表達(dá)物具有一種視覺(jué)上的愉悅和美感。強(qiáng)調(diào)色彩的對(duì)比力度，形象的概括集中，具有鋒利，敏銳，迅速的視覺(jué)效果，使觀者產(chǎn)生強(qiáng)烈的感官刺激，留下深刻的印象。關(guān)鍵詞：
7、黑白裝飾畫(huà)；藝術(shù)感染力；點(diǎn)線面；自然肌理；意趣8前言“天為陽(yáng)，地為陰；陽(yáng)為白．陰為黑。日月交替，陰陽(yáng)轉(zhuǎn)換。”古老的諺語(yǔ)，將世間萬(wàn)物歸納到對(duì)立統(tǒng)一的黑白之中。黑白本身就是一門(mén)藝術(shù)，它源遠(yuǎn)流長(zhǎng)，幾乎同人類(lèi)文明同步發(fā)展，經(jīng)過(guò)五千年的文化沉淀，留下了豐富的黑白藝術(shù)文化黑白是一種思想意識(shí)，是一種種創(chuàng)作的意識(shí)，同時(shí)黑白又是色彩中的極色，也是視覺(jué)感受的極限，用一黑一白的來(lái)表現(xiàn)所要描繪的事物．對(duì)豐富的色彩具有高度概括的藝術(shù)特色。我們可以從構(gòu)圖、色彩、形象、材料幾個(gè)方面研究裝飾畫(huà)，其中黑白的色彩風(fēng)格在裝飾畫(huà)中占據(jù)重要地位。它是不受任何空間，繪制對(duì)象本身的限制
8、，充分發(fā)揮主觀性從實(shí)際作用出發(fā)，客體服務(wù)主體通過(guò)不斷的變換，對(duì)比，夸張等表現(xiàn)形式來(lái)帶到裝飾的效果。一、裝飾畫(huà)的概述1.1黑白裝飾畫(huà)的色彩分析中國(guó)水墨畫(huà)即是充分運(yùn)用這種浪漫手法創(chuàng)作
