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1、被重塑了。這種重塑的動因午u動力,是文化意識形態(tài)涌動的慣性以及心理的惰性。試想,這種男性文化服務(wù)于男性,賦予了男性在政治、經(jīng)濟、文化等社會生活各層面中的優(yōu)越性和統(tǒng)治權(quán),葉芝作為一個男人又如何能主動放棄昵?!盡管當(dāng)今女性的地位已經(jīng)得到了巨大的改善,但是社會對女性傳統(tǒng)的看法根深蒂固,因此突圍鏡城必然要歷經(jīng)漫長和艱苦的斗爭。葉芝是個復(fù)雜的詩人,他矛盾的民族身份、他所處的復(fù)雜社會背景和他對神秘哲學(xué)以及象征主義的熱衷,使得讀者很難給他的詩歌做出單一的判斷。本論文并沒有以偏概全的意思,而只是想從女性批評主義的角度來研讀葉芝,以使讀者能夠更加全面地解讀葉芝,這是筆者寫這篇論文的目的所在,也是這篇論
2、文的不足所在。關(guān)鍵詞:父權(quán)制、女性主義、女神、可怕美人、性奴隸PrisonersofPatriarchy:ImagesofWomeninYeats’PoetrySpecialty:EnglishhnguageandLiteratureSupervisor:LiuZhiliangOrientation:English&AmericanLiteratureM.A.Candidate:WangLinyingAbstractThethesisiscomposedofsixchaptersasfollows:Thef'wstchapterbeginswithabriefintroduction
3、ofYeats’greatliteraryachievement,theliteraryreview,theassumptions,themethodologyandthisthesis’contribution.WilliamButlerYeats,winnerofNobelPrizeforliteraturein1923,istheleadingpoetinEnglishpoetryofthe20血century.HeaccomplishedgreatachievementsinthefieldslikeRomanticism,Aestheticism,Symbolism,Rea
4、lismandModernism.Inourcountry,Mr.FuHaoisconsideredtheauthorityinthestudiesofYeats.HemakesanimportantcontributionbyintroducingYeatstoChinaandfocusingonYeats’Occultism.a(chǎn)ndSymbolism.Moreover,Mr.HeNingfocusesonYeats’modernism.ThelateststudiesofYeatsabroadalealsoveryfruitful.Theymainlyconcentrateont
5、hefollowingaspects:themasktheory,symbolism,politicalpoems,romanticism,OccultismandYeats’life.However,inthestudiesofYeats’poetryathomeandabroad,thoseonimagesofwomeniIlYeats’poe仃yhavenotbeenreallytouchedsufficiently.SothisthesiswillstudyYeats’poetryfromthelensoffeminism.Sincethe1970s,feministcrit
6、icismhasbeengrowingrapidlyintheWestandplayingamoreandmoreimportantroleiIltheliteraryworld.Ithasprovideduswithnewmethodsofreadingliterature,whichenableastogainadifferentinsightintothetexts.Thereforeitisanundeniablefurtherstepinjudgingandinterpretingwomeninliterature.Thesecondchapterfocusesonthei
7、nfluenceonYeats’creatingoftypicallyarchetypalimagesofwomen.Generallyspeaking,one'slivingexperiences,beliefs,historicalandculturalenvironmentsplayanimportantroleinhisliterarycreation,especiallywhenheislivinginatransition.Yeats’lite