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1、AbstractRobertFrost(1874--1963)isoneofthemostwidely-knownAmericanpoetsofthetwentiethcentury．Inhiswholellfe，hekeptwritingandpublishingfinepoemsfordecades．Hispoeticvolumescontainoff·quotedandwidelylovedworksincludingbeautifIlllyricsandnarrativepoem．ThecharmofFro
2、st’spoetryisheightenedbythecommonspeech,therichimages，theuniquewisdomand，aboveall,themarveloussoundeffects．Hispoetry,aspureasthelotusflowersabovewater,neverfailtocaptureinspirationfiomtheroutineofdailylifeorprobeintothephilosophyoflifebydescribingvariouspictur
3、es．HeStressestheimportanceofsoundeffectsinpoeticwriting．Therefore，therearealotofsoundimagesinhispoeticlinessuchastheroaringwind,thefallingsnow，thesingingbirdsandtheflowingstream；atthesametimewealsohearthesoundofhumanbeingssuchastheirmournfulcrying,weakmurmurin
4、gandflamingdebate．ListeningattentivelytothesesoundswehavegotaspecialwaytocomprehendtheendlessintelligencetransmittedbyFrost．Hiscreativetheory"sentencesounds”also$ervesasaneffectivemethodforhimtobeaperfectpoet．InfluenceddeeplybyWordswmthheisfondofthelanguageoft
5、hecommonpeopleinNewEnglandandgoodatcapturingthespokensentencesandtheexperiencedutterance．Hebefievcsthateverysyllable,wordandsentenceinthepoemshouldhaveitsparticularsound．Asaresult，themetricalpoeticlinesandthenaturalflowofrealspeakingalebalancedtoconveyhisideas
6、．Thispaper,includingthreechapters，intendstoanalyzethesoundeffectsofhispoemsfromthreedifferentangles．ChapterOneanalyzesthesoundeffectsofhisauditoryimages．Hispoemsalechargedwjthvividsoundimageseitherfromthenaturalworldorfinomhumanlabour．Listeningtothebreeze，theS
7、UOW,thebird，themowingandsoongivesUSabrandnewwaytoappreciatehispoeticcreation．ChapterTwoisaboutthesoundeffectsofhisconversationalstyle．FrostarrangeSmanydialoguesandmonologuesinhiswriting．Thereaders，tobemoreexactly,thelistenersareattractedtoeverysceueofthecharac
8、ters?performance．”Skillfully,Frosthashispoemunderstoodbyhisreadersbymeansofsound．ChapterThreediscussesthesoundeffectsofhispoeticalfines．Inthischapter,theexactsoundeffectsofsyllable
