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1、中國(guó)美術(shù)學(xué)院學(xué)位論文原創(chuàng)性聲明本人鄭重聲明：所提交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下，獨(dú)立進(jìn)行研究工作所取得的研究成果。除文中已經(jīng)加以標(biāo)注引用的內(nèi)容外，本論文不包含其他個(gè)人或集體已經(jīng)發(fā)表或撰寫過(guò)的研究成果，也不含為獲得中國(guó)美術(shù)學(xué)院或其它教育機(jī)構(gòu)的學(xué)位證書而使用過(guò)的材料。對(duì)本文的研究作出重要貢獻(xiàn)的個(gè)人和集體，均已在文中以明確方式標(biāo)明。本人承擔(dān)本聲明的法律責(zé)任。作者簽名：像諳日期：劫f舞歲月21同學(xué)位論文版權(quán)使用授權(quán)書本學(xué)位論文作者完全了解學(xué)校有關(guān)保留、使用學(xué)位論文的規(guī)定，同意學(xué)校保留并向國(guó)家有關(guān)部門或機(jī)
2、構(gòu)送交論文的復(fù)印件和電子版，允許論文被查閱和借閱。本人授權(quán)中國(guó)美術(shù)學(xué)院可以將本學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫(kù)進(jìn)行檢索，可以采用影印、縮印或掃描等復(fù)制手段保存和匯編本學(xué)位論文。本學(xué)位論文屬于1、保密口，在——年解密后適用本授權(quán)書。2、不保密口。(請(qǐng)?jiān)谝陨舷鄳?yīng)方框內(nèi)打“√”)作者簽名：量磚同期：瀏弓年9月≥＼R導(dǎo)師簽名：皸轡日期：加l弓年丐月7＼同中國(guó)美術(shù)學(xué)院——雕塑系——黃婧——《審問(wèn)的虛化與再生——關(guān)于造型藝術(shù)中的透明屬性研究》目錄IMllIIIIIhIIIUlllllllIIIIIY23
3、70415摘要······················································2ABSTRACT···············-·····················-·········3弓f言······················································4引雷······················································第一章，空間的通透邏輯········
4、·····························41、空間的概念·······································．
5、42、通透空間形態(tài)·····································．53、造型空間中的透明·································．7第二章，空間的虛化與隱藏··································9l、透明材料的視覺(jué)透明······················
6、·········92、虛實(shí)變換的半透明空間·····························13第三章，空間界限與視覺(jué)感知································141、視錯(cuò)覺(jué)感知的透明空間·····························142、分解再生的直覺(jué)空間·······························16結(jié)語(yǔ)····································-·······-········18r一、1后記·
7、····················································19致謝·····················································20參考文獻(xiàn)·······················-·························21中國(guó)美術(shù)學(xué)院——雕塑系——黃婧——《空問(wèn)的虛化與再生——關(guān)于造型藝術(shù)中的透明屬性研究》摘要“透明”作為一種視覺(jué)屬性，存在于我們的生活空間。在同時(shí)具有視覺(jué)與空間屬性的造型藝
8、術(shù)中，“透明”與造型藝術(shù)屬性的重合使得“透明”能夠給造型空問(wèn)帶來(lái)非常有趣的變化。這種變化可以是微妙的、難以言喻的，也可以是顯而易見(jiàn)的，甚至是對(duì)造型意義的徹底改變。本文通過(guò)對(duì)幾位藝術(shù)家不同形式的藝術(shù)作品進(jìn)行分析，試圖梳理“透明"這種視覺(jué)屬性在造型藝術(shù)的空間與視覺(jué)表現(xiàn)，討論它對(duì)于造型藝術(shù)空問(wèn)所帶來(lái)的變化與意義。關(guān)鍵詞：空問(wèn)虛化透明造型藝術(shù)一}，閏美術(shù)學(xué)院——雕塑系——黃婧——《空問(wèn)的虛化與再生——關(guān)于造型藝術(shù)中的透明屬性研究》Abstract”Transparency”asakindofvisuala
9、ttribute，existsinour1ivingspace．Invisualandthree—dimensionalattributeofplasticarts．thecoincidencebetween”Transparency”andplasticartsattributescouldbringveryinterestingchangesinthree—dimensionalspace．Thischangecanbesubtle，unspeakableandobvious，
