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1、分類號：學(xué)校代碼：學(xué)號：本科生畢業(yè)論文淺談民族唱法在戲曲唱腔上的借鑒TalkingaboutthenationalsinginginoperasingingReference所在院(系)：學(xué)生姓名：指導(dǎo)教師：研究起止日期：二○一二年十月至二○一三年五月學(xué)位論文獨創(chuàng)性聲明本人鄭重聲明：1.堅持以“求實、創(chuàng)新”的科學(xué)精神從事研究工作。2.本論文是我個人在導(dǎo)師指導(dǎo)下進行的研究工作和取得的研究成果。3.本論文中除引文外，所有實驗、數(shù)據(jù)和有關(guān)材料均是真實的。4.本論文中除引文和致謝的內(nèi)容外，不包含其他人或其它機構(gòu)已經(jīng)發(fā)表或撰寫過的研
2、究成果。5.其他同志對本研究所做的貢獻均已在論文中作了聲明并表示了謝意。作者簽名：日期：2013年5月20日[摘要]中國民族唱法與戲曲唱腔在我國藝術(shù)領(lǐng)域中的發(fā)展有著悠久的歷史。戲曲唱法是我國傳統(tǒng)唱法中最具代表性的唱法，許多訓(xùn)練方法是值得聲樂界學(xué)習(xí)的。民族唱法作為一種唱法，直到今天還處在一個復(fù)雜的整合過程中，這給本人提供了一定的思考探討空間。文章淺談民族唱法如何借鑒戲曲唱腔，希望新一代的聲樂學(xué)習(xí)者，能夠多去了解戲曲、學(xué)唱戲曲，繼承和傳播優(yōu)秀的民族音樂文化，這是專業(yè)學(xué)習(xí)的需要，更是義不容辭的責(zé)任。[關(guān)鍵詞]戲曲唱腔民族唱法借鑒
3、[Abstract]thereisalonghistoryofChinesenationalvocalsinginganddramainthefieldofChineseartinthedevelopmentof.TraditionaloperaisChina'straditionalsingingstyleisthemostrepresentativeinthesinging,manytrainingmethodisworthyofmusiclearning.Nationalsingingasasinging,until
4、todayisstillinacomplexintegrationprocess,thisgivesmeprovidesomethinkingofspace.Thisarticleonhowtousenationalsingingoperasinging,hopethatthenewgenerationofvocallearners,cantounderstand,learntosingoperadrama,inheritandspreadtheexcellentnationalcultureofmusic,whichis
5、inneedofprofessionallearning,itisobligatoryresponsibility.[Keywords]operasingingfolksinginglessons目錄引言·································································1一、戲曲藝術(shù)·························································11、戲曲的歷史·························
6、·······························12、戲曲唱腔的含義····················································13、戲曲唱腔的特點····················································1二、民族唱法·························································21、民族唱法的定義···································
7、·················22、民族唱法的特點····················································2三、民族唱法在戲曲唱腔上的借鑒·······································31、民族聲樂的曲目在戲曲唱腔上的借鑒··································32、民族唱法中的潤腔就是從戲曲唱法中衍生而來的························33、民族聲樂歌唱家有許多人與戲曲藝術(shù)有著不解之緣····
8、··················44、民族聲樂演唱風(fēng)格在戲曲唱腔上的借鑒——以孫麗英演唱的《昭君出塞》為例···································································4四、中國民族聲樂的發(fā)展應(yīng)注重向戲曲學(xué)習(xí)··········
