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1、TranslationofImagesinTaoYuanming'sPoemsfromthePerspectiveofReceptionAestheticsAbstractTranslationofImagesinTaoYuanming'sPoemsfromthePerspectiveofReceptionAestheticsAbstractTaoYuanminghasbeenrecognizedasoneofthegreatestpoetsinChineseliterature.Hispoemsarefullofvariouskindsofimages.Asisknowntoa
2、ll,imagesarethesoulofapoem.Sotranslationofimagesisofgreatimportanceanddifficultyintranslationofpoems.ThenhowtotranslatetheseimagesintoEnglishproperlybecomesabigproblem.Forthesakeofdifferentfactors,suchasculture,reader'sreception,etc.,wecannotjustturntoliteraltranslationallthetime.Differenttran
3、slationstrategiesareneededtomaketargetlanguagereadersunderstandthemeaningconveyedbyimagesjustassourcelanguagereadersdo.ThisthesisemphasizesontranslationofimagesinTaoYuanming'spoemsfromtheperspectiveofReceptionAestheticswhichadvocatesthatthedialoguebetweenthetextandthereadermakesupthemeaningofa
4、workandhasshiftedthefocusfromtextauthoritytotext-readerrelationshipforthefirsttime.Thistheoryhasofferedavaluableinsightintotranslationstudy.ThemajorconceptsofReceptionAestheticsincludehorizonofexpectation,indeterminacyofthetextandreader'sroleandstatus.AccordingtoReceptionAesthetics,translators
5、shouldadoptvarioustranslationstrategiestomaketheimageandthemeaningitcontainsbetterunderstoodbythereaders.Therefore,severaltranslationstrategiesaresuggestedinthisthesis.Thisthesisconsistsoffivechaptersbesidesbibliography.ChapterOneisthepartofintroduction,whichfirstgivesabriefintroductiontothest
6、udy,andthenTaoYuanming'slifeandpoems,aswellasthetranslationofTaoYuanming'spoemsandthedefinitionofimages.ChapterTwoisliteraturereview,whichintroducestheoriginandriseofReceptionAesthetics.Besides,previousstudiesonimagetranslationareillustrated.ChapterThreeelaboratesonthreemajorconceptsofReceptio
7、nAestheticswhichare"horizonofexpectation","indeterminacyofthetext"and"reader'sroleandstatus".ThentheimportanceofReceptionAestheticsintranslationprocessisdiscussed.ChapterFourfirstintroducestheimagesinTaoYuanming'sPoems.Alsotherelationsh
