資源描述：
《中西繪畫的空間意識與其表現(xiàn)——兼談中西繪畫的融合》由會員上傳分享，免費(fèi)在線閱讀，更多相關(guān)內(nèi)容在行業(yè)資料-天天文庫。
1、互動的；西方繪畫的虛是輔助實(shí)的，實(shí)是畫面的主體。本文對中西繪畫空間意識及表現(xiàn)的分析與比較，立足于哲學(xué)淵源，以透視、空間造型、開放性、虛實(shí)關(guān)系等空間表現(xiàn)的基本方法和屬性作為辨異其差別的比較點(diǎn)。中西繪畫的融合，是隨著“西學(xué)東漸”在中西文化交流的不斷深入與擴(kuò)大的情形下產(chǎn)生的一種學(xué)術(shù)現(xiàn)象?；诓煌慕Y(jié)合點(diǎn)和結(jié)合方式，中西畫法融合的實(shí)踐大致又可分為三種形式：一為徐悲鴻以西方古典主義改造中國繪畫，為以西入中；一為林風(fēng)眠以西方現(xiàn)代主義與中國遠(yuǎn)古和民間藝術(shù)嫁接，屬西體中用；一為劉海粟將中國繪畫寫意的特色和西方后印象主義風(fēng)格溝通，賦筆墨于色彩。他們的貢獻(xiàn)是：在中國藝術(shù)與世
2、界藝術(shù)交流對話中，為中國美術(shù)帶來了創(chuàng)造的自覺與自由的空氣，為彰顯中華文明的獨(dú)特魅力開辟了新天地。關(guān)鍵詞：中西繪畫；空間意識；差異；表現(xiàn)；融合ChinaandtheWestdrawingspatialconsciousnessandtheperformance——concurrentlydiscussesChinaandtheWestdrawingthefusionAbstractChinaandtheWestdrawingallhastheglorioushistory,butbehindthiskindofglorioushistoryformsres
3、pectivephilosophicthinkingandestheticsidea,inthepenetrationdrawingspacerealizesthisbreakthroughpoint,refractstheirmindandthelightofwisdom.Therefore,inChinaandtheWestdrawing“spatialconsciousnessandtheperformance”alwaysisthefineartsresearchtopic.Bywhatkindofthoughtangleofviewunders
4、toodandelaboratesChinaandtheWestdrawing“spatialconsciousnessandtheperformance”thedifferencequestion,alsoistheresearchdifficulty.Inthesodifferentdrawingperformanceaspect,foundonetolinkupboththecomparisonspot,justslikewhenthesketchseeksonthestilllifethatlightandshadetohandoverthede
5、marcationline,hopedthislinecanaccurateandtherichexpressiveforceletsthisobjectbebright,alsocannotfalltheconvention,thisisadifficulty,itsmyinterestingtoo.Becauseofthedifferenceofphilosophicalideologies,greatdiscrepancyexistsbetweentherepresentationsofthespatialconsciousnessinChines
6、eandWesterndrawings.ThespatialconsciousnessofChinesedrawing，influencedbythethought—“theharmonyofnatureandhuman”,istheawarenessoftherhythmsofnaturebyobservingeverythingintheworldwiththemind’seyes.WhilethespatialconsciousnessofWesterndrawing,influencedbytheattitudetowardstheunivers
7、e—oppositionbetweennatureandhumans,andbasedonwesternscienceandtechnology,istheawarenessofthespatialorderandthestaticharmonyoftheworld,treatingtheendlessuniverseinthewayofseeking,controllingandexploring.Chinesedrawingisonekindofdynamicpsychologicalexperiencingandobservingmethod,ma
8、inlyemployingtheperspectiveofmovingpoint
