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《從概念隱喻理論的角度分析《五號(hào)屠場》的時(shí)間概念》由會(huì)員上傳分享，免費(fèi)在線閱讀，更多相關(guān)內(nèi)容在學(xué)術(shù)論文-天天文庫。
1、分類號(hào)??H315.9密級??公jff_單位代碼:10042國際關(guān)系學(xué)院碩士研究生學(xué)位論文論文題目：從概念隱喻理論的角度分析《五號(hào)屠場》的時(shí)間概念學(xué)號(hào)：2013304107作者：專業(yè)名稱：英語專業(yè)專業(yè)方向：英語語言文學(xué)—校內(nèi)學(xué)術(shù)導(dǎo)師：張世紅教授1單位:國際關(guān)系學(xué)院入學(xué)時(shí)間：2013年9月3日論文完成日期：2015年4月3日學(xué)位授予單位：國際關(guān)系學(xué)院AnAnalysisofTimeinSlaughterhouse-FivefromthePerspectiveofConceptualMetaphorTheory從概念隱喻理論的角度分析《五號(hào)屠
2、場》的時(shí)間概念研究生姓名：王卉指導(dǎo)教師姓名：張世紅國際關(guān)系學(xué)院中國北京，100091MasterDegreeCandidate：WangHuiSupervisor：ZhangShihongUniversityofInternationalRelations12Poshangcun,HaidianDistrictBeijing,P.R.China,100091原創(chuàng)性聲明本人鄭重聲明如下：所呈交的學(xué)位論文，是本人在導(dǎo)師的指導(dǎo)下，獨(dú)立進(jìn)行研宂工作所取得的成果。除文中己經(jīng)注明引用和致謝的內(nèi)容外，本論文不含任何其他個(gè)人或集體己經(jīng)發(fā)表或撰寫過的作品或
3、成果。對本文的研究做出重要貢獻(xiàn)的個(gè)人和集體，均己在文中以明確的方式標(biāo)明。本聲明的法律結(jié)果完全由本人承擔(dān)。論文作者簽名：曰期:201S^6月2曰AcknowledgementsIwouldliketoexpressmyheartfeltgratitudetomysupervisor,ProfessorZhangShihong,forhisillustratingguidance,enduringpatienceandunfailingencouragement.HehassetthebasisfortheappreciationofEngl
4、ishliteratureinmypostgraduatestudies.HehasconstantlyencouragedandhelpedmeduringmytwoyearsofstudyintheUniversityofInternationalRelations.Thisthesiswouldnothavebeencompletedwithouthisinstruction.Andhispersonalityhassetanadmirableexampleformeinlife,fromwhichIwillbenefitaloti
5、nthefuture.MyindebtednessalsogoestothefacultyoftheEnglishDepartmentofUniversityofInternationalRelationsfortheirsincereguidance.IwouldliketothankProfessorLiangXiaohuiandProfessorWangWenhuawhohavetaughtmenotonlyknowledgeofEnglishbutalsothatoflife.IwouldliketothankProfessorS
6、unHonghong,ProfessorXuAijun,ProfessorFengYouminandProfessorWuZhongdongwhohavelaidasolidfoundationformyEnglishstudy.IalsoextendmythankstoProfessorZhaoMinandProfessorSongXinfortheirpatientguidance.Ialsowanttothankmyparentsandmydearfriendswhohaveprovidedmewithconstantsupport
7、andencouragement.IIAbstractSlaughterhouse-FivebyKurtVonnegut(alsocalledTheChildren’sCrusade:ADuty-DancewithDeath),aclassicofAmericanpost-modernism,notonlyconvulsesthereader’sheartincontentbutalsosubvertsthetraditionalapproachtoform.Throughtheintegrationofrealityandfiction
8、,historyandimagination,andsynchronicnarrationanddiachronicnarration,KurtVonnegutdepictstheallied
