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1、JAZZCOMPOSITIONJAZZCOMPOSITIONBERKLEEPRESSAculminationofProfessorTedPease’sTedPease,winneroftwograntsinjazzcompositionfromtheNationalEndowmentfortheArts,hasbeenafacultytwenty-fiveyearsofteachingjazzmemberatBerkleeCollegeofMusicsince1964.HeiscompositionatBerkleeCollegeofMusic.currentlyDistinguishe
2、dProfessorofJazzComposition.Whenyouthinkofgreatjazzcomposers,whocomestoHeistheauthorofseveraljazzarrangingtextsthatmind?PerhapsDukeEllington,DizzyGillespie,havebeenrequiredreadingforBerkleestudentsforTheloniousMonk,CharlesMingus,GilEvans,ThadJones,ormorethantwenty-fiveyears,amongthemModernJazzBob
3、Brookmeyer.Thisbookisaboutwhatthey(andVoicings(BerkleePress).AnaccomplisheddrummerasJAZZCOMPOSITIONmanyothers)do,andhowtheydoitsowell.well,hehasperformedwithHerbPomeroy,RaySantisi,GeorgeMraz,JohnLaPorta,CharlieMariano,ToshikoJazzcompositionhasevolvedintoadisciplinedartthatAkioshi,andRedNorvo,amon
4、gmanyothers.oftenevidencesgreatemotionaldepthandbreadthofsophistication.InJazzComposition:TheoryandPractice,BerkleeCollegeofMusicProfessorTedPeasedemystifiestheprocessesinvolvedincomposingtunesaswellas“Amonumentalwork.Finallyabookthatreallyepisodicandextendedjazzworks.addressesthesubjectofjazzcom
5、position.ShouldbeinEVERYtheoryclassroomandnotjustjazz.”THEORYANDPRACTICEJazzComposition:TheoryandPracticewillhelpyouto:JOHNLABARBERA,ComposerandArranger/?Improveyourwritinginalljazzstyles—frombluesAssociateProfessor,UniversityofLouisvilletofusion—witheffectiveapproachestomelody-writing,suchasrepe
6、tition,sequence,motivic“JazzComposition:TheoryandPracticecontainsatransformation,andembellishmentwealthofinformation—muchofwhichfrequentlygetsshortshriftinotherjazzarranging/composing?Creategreatmelodiesbuiltonintervallicpatterns,texts.Thechapteronmelodicconsiderationsaloneguidetonelines,compound
7、lines,antecedent/iswellworththepriceofthebook.But,whetherconsequentphrasing,andmelodictensionyouadoptthisbookasyourprimarytextorasa?Learntothinkcreativelywhenworkingwithtonalsupplement,itisonethatwillproveindispensable
