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1、Britishclassicalpoetryappreciation英國古典詩歌賞析19thCenturyLiteratureBritishliteraturehasgonethroughseveralagMedievalLiterature、Renaissanceliterature、18thcenturyliterature、19thCenturyLiterature、20thCenturyLiteratureNineteenth-centuryEnglandintheVictorianera,alsoknownastheVictorianageliteratur
2、e.Astheindustry'sheyday,socialproblemsandsocialconflictshavebecomeincreasinglyprominent.Blakewasthefirstgreatpoetofromanticpoetry.HispoemfocusonimaginationandasenseofdivinetypeofreligiousThencameWordsworthandColeridge.However,thetwomensoondisappearinthepoetryAnothergenerationofpoetsin18
3、15orsoTheybroughtabrilliantromanticpoetry.Byron（拜倫）,Shelley（雪萊）,Keats（濟慈）havetheirowncharacteristics,whiletheyallLoyaltoFrenchRevolution.Byronisoffensivetyranny,Shelleyisthefocusonthefutureoftheidealsociety,Keatshatethiscruelworld.TherearemanyotherpoetriessuchasScott,KelaiPu,Moore,Campb
4、ell,Hood.AfterShakespeare'sdeath,inthehistoryofEnglishliterature,noothertimehavesomanyfirst-ratepoetWilliamWordsworthWilliamWordsworthisanEnglishpoetwhoborninhouselawyershisfatherdiedin1783andtakencarebyhisunclewithhisbrotherwhilehissisterwhotookcareofhimwaslookedafterbyherMaternalgrand
5、fatherCriticstreatedhis"Prefacetolyricsongs"asasymbolofRomanticism.孤獨的刈麥女Beholdher,singleinthefield,YonsolitaryHighlandLass!Reapingandsingingbyherself;Stophere,orgentlypass!AloneshecutsandbindsthegrainAndsingsamelancholystrain;Ohlisten!ForthevaleprofoundIsoverflowingwiththesound.Nonight
6、ingaledideverchauntMorewelcomenotestowearybandsOftravelersinsomeshadyhaunt,AmongArabiansands;Avoicesothrillingne’erwasheardInspring-timefromthecuckoo-birdBreakingthesilenceoftheseasAmongthefarthestHebrides你看！那高原上年輕的姑娘，獨自一人正在田野上。她一邊收割一邊在唱歌；你停下吧，或悄悄他往！她獨自在那里又割又捆，她唱的音調(diào)好不凄涼；你聽！你聽她的歌聲，在深邃的峽谷
7、久久回蕩。在荒涼的阿拉伯沙漠里，疲憊的旅人憩息在綠蔭旁，夜鶯在這時嘀嚦婉轉(zhuǎn)，也不如這歌聲暖人心房；在最遙遠的赫伯利群島，杜鵑聲聲喚醒了春光，啼破了海上遼闊的沉寂，也不如這歌聲動人心腸Willnoonetellmewhatshesings?PerhapstheplaintivenumbersflowForold,unhappy,far-offthings,Andbattleslongago:Orisitsomemorehumblelay.Familiarmatterofto-day?誰能告訴我她在唱些什么？也許她在為過去哀傷，唱的是渺遠的不幸的往事，和
