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1、ResearchonthecomparisonbetweenKantandNietzsche'sAestheticsContentsPartIThecommunicationofKantandNietzschefromtheperspectiveofEpisteme1.KantandModernEpisteme2.NietzscheandContemporaryEpistemePartIIThedistinctionbetweentranszendentalandtranszendentandtheexpansionof“Thewilltopower
2、”(I)1.Kant’stranscendentalphilosophy1.1.ThedistinctionbetweentranszendentalandtranszendentinKant’sphilosophy1.2.TheTranscendentaldeductionofKant’sphilosophy2.ATtranscendentalposition:TheinnerdimensionoftheconstructionofKant’saesthetic2.1.Thepriorprincipleofaestheticjudgment:the
3、formalpurposivenessofsubject2.2.Theanalyticofbeautyandsublimefromtheperspectiveof“purposivenessofsubject”2.3.ThelegislationofaestheticandtheprotrusionofaestheticproblemPartIIIThedistinctionbetweentranszendentalandtranszendentandtheexpansionof“Thewilltopower”(II)1.Nietzsche's“Th
4、ewilltopower”1.1.Kant,SchopenhauerandNietzsche1.2.Nietzsche'sdoctrineon“Thewilltopower”2.ThewilltopowerandGreektragedy2.1.DionysianspiritinNietzsche's“Eternalreturn”2.2.ApollonianspiritinNietzsche's“Thewilltopower”2.3.SocratesandthedeathofGreektragedyPartIVTheapriorityofKant’ss
5、ubjectandthewillpower-nessofNietzsche'ssubject1.KantandNietzscheonsubject1.1.TheapriorityandsubjectivityofKant’sphilosophy1.2.”Thewilltopower”andsubject2.Kant’saestheticandsubject2.1.Thesubjectivityofaestheticjudgment2.2Therelationshipbetweenfineart,geniusandtaste2.3.Kantandthe
6、riseofRomanticism3.Nietzsche'saestheticandsubject3.1.Theaestheticsituationandthedestructionofsubject3.2.“Thegreatstyle”offineart3.3.NietzscheagainstRomanticismPartVAnthropocentrismandAnti-anthropocentrism1.Thebirthanddeathofthe“Man”:thebeginningandendofthe“modernEpisteme”2.Thec
7、ritiqueofjudgmentandtheconstructionofTranscendentalAnthropology3.TheAntichristinThebirthoftragedyAppendixFoucault:TheEpistemeinthehorizonofArchaeologyoftheHumanSciences
