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1、分類號(hào)學(xué)校代碼10542密級(jí)學(xué)號(hào)2QQ墨Q墨Q2QQ22HistoryandMemory：theTwoSouthsinAbsalom，Absalom!歷史與記·Iz：《押沙龍，押沙龍!》中的兩個(gè)南方指導(dǎo)教師姓名、職稱曼整芷到塾撞學(xué)科專業(yè)．一苤適亟童塞堂湖南師范大學(xué)學(xué)位評(píng)定委員會(huì)辦公室二0一一年五月HistoryandMemory：theTwoSouthsinAbsalom，Absalom!AThesisSubmittedtoForeignStudiesCollegeOfHunanNormalUniversityInPar
2、tialFulfillmentoftheRequirementsForTheDegreeofMasterofArtsintheSubjectofEnglishLanguageandLiteratureByXuLiUndertheSupervisionofYiYanpingChangsha，HunanMay，2011AbstractWilliamFaulknerisknownforhis‘‘YoknapatawphaSaga'’inworldliterature．Heisoneoftheworld’Sbeststylist
3、sandbestknowninnovationistsintechniqueandform．HismasterpieceAbsalom,Absalom／ishailedasanovelofthemostallusiveandofthelastradicalinnovationinfictionalmethodsinceJoyce．CriticshavedelvedintodifferentdimensionsofAbsalom,Absalom／sinceitspublication．Thisthesis，however,
4、makesanattempttodelveintothenatureandfunctionofFaulkner’SdesignofAbsalom，Absalom／asanovelofdoublefocus．BasedonCloseReadingofNewCriticismandSocialandHistoricalstudies，theauthorofthisthesisattemptstoexploreFaulkner’SconcernovertheproblemsoftheSouth．Thisthesistriest
5、oprovethatthroughtheexecutionoftheSutpentragedyontheinnerstageandthelargersocialtragedyontheouterstage，F(xiàn)aulknerconveysinthisnovelthedisintegrationoftheSouthfromitspastanditspresent．FollowingabriefintroductionofFaulknerandasurveyofStudyonFaulknerandAbsalom，Absalom
6、／abroadandhome，chapteronestudiestheSutpentragedyinwhichThomasSutpenisitscenter．Thoughhehasvitality,willandstrength，heisdoomedtofailinstickingtothecodeofthesouthernsociety．Chaptertwoinvestigatesthelargersocialtragedy．TheantebellumSouthcollapsesbecauseofitsinherent
7、moraldeficiency；thepostbellumsoutherners，however,areparalyzedbytheoverwhelmingpast．Theconcernofchapterthreeishowthedoublefocusisenacted．ItisenactedinthefictiveprocessinwhichthethreesouthernnarratorsinventtheSutpenlegendandrevealtheirownbiographies．Allthethreenarr
8、atorsareloquacious，incensedandperplexedlivingghosts．The摘要威廉·?？思{以他的“約克納帕塔法”世系小說在世界文學(xué)史上占據(jù)著極其重要的地位。他的小說文體精美，形式獨(dú)特，其中《押沙龍，押沙龍!》被奉為是繼喬伊斯之后寫作手法方面最具創(chuàng)新精神，寓意最為深刻的小說。自《押沙
